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Posts Tagged ‘Vanessa Anne Hudgens’

From the Hootoo archive. Originally published July 22nd 2004:

Whether you consider Gerry Anderson to be a scandalously-overlooked national treasure, a ‘vicious enemy of proper science fiction who should be burnt in effigy by fans of the genre’ (the considered opinion of the academic periodical Foundation), or just a grumpy old sod, you can’t deny the place in public affections his puppet SF shows have held in the four decades since their original broadcast. Yet another revival looms, but this time taking the form of more than just another re-run: Anderson himself is working on a CGI remake of Captain Scarlet and the Mysterons, while zooming soon into a cinema near you is, finally, a live-action Thunderbirds movie, directed by Jonathan Frakes (probably best known as the beardy bloke from Star Trek: The Next Generation).

Scandalously, Anderson’s name doesn’t appear once during the stylishly animated credits of the new movie, for all that it’s superficially very faithful to the original show. The premise is the same: in the near future, billionaire ex-astronaut Jeff Tracy (Bill Paxton) has set up a secret organisation named International Rescue, based on his private Pacific island. Most of the time he and his sons live the life of Riley, but when peril threatens they hop into the high-powered Thunderbird machines designed by their scientist Brains (Anthony Edwards, who apparently used to be in Holby City, or something) and go off to save the day.

However the youngest Tracy brother, Alan (Brady Corbet), is not allowed to go off on missions, basically because he’s about thirteen. So he spends all his time moping about with his friend Fermat Hackenbacker (Soren Fulton) – yup, he’s Brains’ son, although the identity of Mrs Brains is not elaborated upon. But all this moping must stop when psychic supercriminal the Hood (Ben Kingsley) invades Tracy Island, traps Jeff and the other boys in a crippled Thunderbird 5, and plans to go ram-raiding in Thunderbird 2. It’s up to Alan, Fermat, and Tin-Tin (Vanessa Anne Hudgens) – also about thirteen in this version – to save the day, but not without the help of posh totty secret agent Lady Penelope and her chauffeur Parker (Sophia Myles and Ron Cook).

Now Thunderbirds is a movie that’s had quite toxic pre-release word-of-mouth, and I can sort of understand why. This is a movie based on a TV show which nearly every male in the UK under the age of fifty has enormously fond memories of, and the decision to radically re-imagine it along the lines of a Spy Kids movie was always going to be controversial. Personally, I’ve been waiting for this film for over twenty years, and ironically it seems to be aimed at an audience over twenty years younger than me. Do I have the right to feel aggrieved? Hmmm, well, I don’t know: but the fact is that, as kid’s movies go, this doesn’t seem too bad at all.

Because this is a kid’s film, not family entertainment. Fanderson purists will be appalled at the slapstick comedy (villains getting gunged a la Noel’s House Party, cartoony ‘BONG!’ and ‘KA-DUNG!’ sound effects punctuating the fight scenes), the juvenile leads, and the frankly crass and unpleasant barrage of gags about anyone with bad teeth, poor eyesight or a speech impediment. Frakes’ direction, while occasionally inventive, mostly has a lot in common with his acting. And anyone who liked the show will be dismayed about how nondescript and interchangeable the Tracy brothers are: Scott and Virgil (the main characters first time around) get virtually nothing to do, and I couldn’t tell which was which anyway.

Along similar lines, but slightly more serious, is the way the film discards the main reason everyone watched the Anderson shows in the first place: to see lovingly detailed and intricate model vehicles hovering in front of a lovingly detailed and intricate model backdrop, which then explodes. There’s a tiny bit of this sort of thing right at the start, but the next hour of the movie is basically a runaround on Tracy Island. There isn’t much Thunderbird action until quite near the end, and even then the actual rescuing seems a bit shoehorned in.

But having said that, the special effects are excellent, striking just the right balance between old and new. The Thunderbird designs are mostly quite faithful, and even where they’re not this is usually an improvement (Thunderbird 4 no longer resembles Del Boy’s van quite so much). I’ve always thought that the Anderson shows were built around a weird combination of peerless model and effects work, and absurd scripts and terrible acting, and so you could argue that the movie is in its own way quite faithful to this formula.

Having said that, I should mention that Ben Kingsley gives a splendid performance as the Hood, doing his considerable best with the part and lending the movie a genuine touch of class. Of the rest of the cast, Paxton, who’s normally a reliable and charismatic performer, just doesn’t get the material he needs to make a real impression. Anthony Edwards seems to spend the entire film wondering what the hell he’s signed up to. Sophia Myles and Ron Cook bring just about the right note of camp unflappability to Lady Penelope and Parker, no doubt due to a much-publicised script-polish by Richard Curtis (‘Put me down! This outfit is couture!’ snaps Lady P as an evil henchman carries her off).

I’m a notoriously poor judge of this sort of thing, but I think Thunderbirds should do quite well with the tweeny audience it’s obviously aimed at. And there’s just about enough there to satisfy the legions of fans who should be old enough to know better by now. It’s not F.A.B., but neither is it a total disaster.

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