Feeds:
Posts
Comments

Posts Tagged ‘Unlocked’

Never let it be said that this blog is unafraid to tackle the heavyweight questions of the day: for instance, is Orlando Bloom really an actor? Now, wait just a cotton-picking minute there if you think I am in any way casting aspersions on Landy’s abilities when it comes to the thespian department. No, the reason for my question is the simple fact that, for a major global celebrity, our man Bloom doesn’t really seem to turn up in many movies these days. I mean, there was his (I am tempted to say thankfully) brief cameo in the last Pirates of the Caribbean movie, but outside of his appearances in the Hobbit movies I can’t think of much I’ve seen him in in the last ten years or so.

Well, I believe the answer may partly lie in the fact that, in addition to his other activities, Landy has taken up being a film producer (why do I suddenly suspect that becoming a film producer is not as difficult as I always thought?). As any fule kno, being a film producer involves lots of meetings and calls and discussions about movies which most of the time end up not being made at all, despite hefty development fees changing hands. So you might say that Landy has hit upon a wheeze where people are paying him not to make movies (I wish he had come up with that idea about fifteen years ago).

The flaw in this arrangement, unfortunately, is that one of Landy’s films occasionally slips through the net and ends up going into production, but I guess that’s a possibility we have to live with. Even then, it does look like not all of these films actually make it into cinemas, as in the case of Michael Apted’s movie from this year, Unlocked. If this film got more than the most limited UK cinema release, I didn’t notice it at the time, and was totally unaware of its existence until someone gave me it on DVD (presumably on the grounds that they think I don’t watch nearly enough movies these days).

Unlocked is a not especially sexy title for what aspires to be a taut and exciting contemporary thriller. Indeed, it’s not really a particularly pertinent title, given what goes on in the plot, but on the other hand it is amongst the least of this movie’s problems.

Noomi Rapace brings clinical intensity, memorable cheekbones, and a suspiciously Swedish accent to the role of Alice Racine, a CIA agent who has spent the last couple of years working undercover as a Citizen’s Advice bod at a London community centre. Pyoiiinnggg! (That would be the sound of my disbelief being stretched beyond its natural limits, and we’re only in the first line of the plot synopsis. Let’s press on.) Alice used to be a top CIA interrogator but after a traumatic incident she has taken a step back, hence the community centre gig.

However, when another top CIA interrogator unexpectedly carks it in London just before beginning a vital job, Alice finds herself dragged out of semi-retirement. An Islamic terrorist has laid his hands on one of those them-there doomsday viruses, and is awaiting instructions on what to do with it. The CIA have nabbed the courier due to give him said instructions, and want him breaking down so they can send the terrorist false information and stop the virus being disseminated. How much more straightforward can things get?

Well, quite a bit, it turns out, as events prove the CIA has been compromised, and when the courier and a bunch of other agents end up getting killed, Alice is the chief person of interest. Inevitably she ends up going on the run from her own superiors, in search of the traitors, with her main ally being Jack, an ex-marine turned burglar who she caught breaking into her flat. Could it look any bleaker? Well, Jack is played by Landy himself.

Yup, that’s Landy Bloom as a lovably roguish ex-marine hard man. Pyoiiinnggg! (Sorry – it might be a good idea to wear protective goggles, or something.) To be honest, the main thing to be said about Landy’s contribution to Unlocked is how superfluous it feels – you almost get the sense that the script came across Landy’s desk, and he liked it so much he not only decided to make it, but also insisted it was rewritten so he could be in it (shades of that story about the millionaire buying the American football team and then insisting on playing quarterback). He comes into it quite a long way in. He doesn’t do a great deal while he’s there. And then, well before the climax, he vanishes out of the film in very peculiar circumstances indeed, with the fate of his character obscure, to say the least. Still, his face is nice and big on the DVD cover, anyway.

(Hmm – my usual slapdash research suggests Landy didn’t actually produce this film, despite the fact that one of the production entities is named ‘Bloom’. Curiouser and curiouser. Well, sort of.)

Landy’s contribution aside, Unlocked is basically a fairly typical modern thriller, very morally neutral and crissy-crossy, wanting to be one of the Bourne movies so badly it probably physically hurts – in a couple of places the music is so obviously ripped-off from that franchise that I’m surprised writs didn’t change hands. In addition to aping the style of a major blockbuster, it also looks like the movie has managed to land a major blockbuster cast – quite apart from Rapace and Landy, it features Michael Douglas, Toni Collette, and John Malkovich.

Nevertheless, this is really quite a dull movie – it’s competently written and assembled, I suppose, and when Rapace is actually doing her interrogating there are some interesting nuggets of tradecraft in the script. But once it all gets going and she has to go on the run, well, it all becomes at best predictable and at worst rather preposterous. There’s a major plot twist, for instance, that I spotted the instant it was introduced. And the motivation of the bad guy, when it’s revealed, is really and truly absurd – he’s orchestrating a major biochemical weapons attack on US citizens basically as a way of whistle-blowing the dangers of viral terrorism. I would suggest a strongly-worded memo might be a somewhat saner method of achieving the same results.

As I say, most of the performances and so on are fine (although Noomi Rapace is perhaps a bit too much of a Proper Serious Actress to be entirely comfortable in the role of ass-kicking babe, which is basically what’s required of her here), but I strongly suspect that in a couple of days’ time I will have forgotten almost everything about the plot of the movie. It’s not actively bad, most of the time, but it doesn’t really do anything to distinguish itself from the dozens of other recent movies made with a similar style and ethos. If you haven’t seen another thriller this century, then Unlocked may prove to be a pleasant surprise, but even then, I wouldn’t bet the house on it.

Read Full Post »