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Posts Tagged ‘The Way Back’

Ah, what a great, iconic tale: victims of an oppressive, totalitarian regime, a motley band of dissidents and criminals escape from imprisonment in a bleak wasteland and set out to strike a blow for individual freedom. Fantastic material for a film there, especially if you’re multi-Award nominated film-maker Peter Weir. Unfortunately, the film rights for Blake’s 7 are already under option and so Weir has been obliged to search elsewhere for material for his new film, which he has nevertheless decided to call The Way Back.

(What an odd way to start a review, you may be thinking: it isn’t even that good a joke. Well, you may be right, but what the hell – some people may appreciate it. Let me know if you’re one of them!)

Anyway, this is an epic drama based on a supposedly true story (the events apparently happened, it’s just that nobody seems to be quite sure who they actually happened to). Jim Sturgess plays Janusz, a young Pole banished to the Siberian gulag at the height of the Second World War. There he befriends a mixed bag of other prisoners, mostly other political dissidents, and together they decide to make a break for freedom – no small thing, given the lethal hostility of the Siberian wilderness and the immense distances separating them from safety.

Amongst Janusz’s new companions are a grizzled American (Ed Harris) and a brutal Russian criminal (Colin Farrell), while in the course of their journey southward they meet another young Polish refugee, Irina (Saoirse Ronan). Their initial plan to follow the shore of Lake Baikal and cross the border into Mongolia runs into trouble and it becomes clear their only hope of freedom is to try to cross the Gobi desert and the Himalayas, with India as their ultimate goal.

Given the scope of the story and Weir’s track record when it comes to epic, yet engrossing dramas, I went to see The Way Back with high expectations. And it scores in a number of departments – the scenery and photography throughout is stunning, and the performances are honest and convincing.

However, while the scope of the story is stunning, the actual detail of it isn’t that involving. Fatally, some of the members of the escaping group remain rather anonymous until the journey is well underway, and they’re not that¬†well delineated even then. Not a huge amount happens, either in terms of the group’s internal interactions or the things they encounter on the way. (For some reason, the actual escape itself takes place off-screen.) The film devolves into the characters wandering along, worrying about getting lost and finding things to eat and drink, with only the landscape going through any significant change.

None of the pictures from the film were that interesting or funny, so here's a photo of Blake's 7 instead. Hurrah!

That said, the movie isn’t cliched and I suspect most people will be surprised at the identities of the characters who fall by the wayside in the course of the trek. It does, however, jump through some startling narrative hoops when it comes to language – initially it’s all in subtitled Russian (fine by me, as it allowed me to check in on the deterioration¬†of my rooski yazik), but abruptly switches to accented English a few minutes in. Fair enough, thought your reviewer, it’s a translation convention… but no! It’s made clear that for some reason the Poles and Russians and other eastern Europeans are all choosing to speak in English throughout most of their journey, which is considerate of them and fortunate for Harris’s character (and the audience). I’m being disingenuous, of course – there are very sound commercial reasons why this film isn’t in a foreign language. Personally I don’t worry that much about verisimilitude, though – but then again I’m not the National Geographic people, who produced this film…

I suspect that may be a bit of a metaphor for the problems with The Way Back – it frets a bit too much about mundane details and in doing so forgets about being appropriately sweeping and epic and moving. This is by no means a bad film, but I didn’t emerge particularly thrilled or uplifted or caring about the characters (though I did emerge with a few ideas for possible future holiday destinations). Not inappropriately given the subject matter, The Way Back is really a bit of a plodder.

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