I suspect this is because a) this was an American show b) it was broadcast on Channel 5, which is still really the lightweight of the main UK networks and c) most people perceive this kind of thing as being the stuff of science fiction and thus Not Worth Worrying About. Certainly I myself sometimes feel like I’ve been vicariously enjoying the collapse of civilisation pretty much non-stop since I was seven, starting with John Wyndham’s The Day of the Triffids, then proceeding fairly briskly through the work of John Christopher, Threads, The Stand, Dawn of the Dead, Survivors (70s version, of course) on tape and DVD, 28 Days Later, World War Z and…well, you get the idea. (During the 2000 fuel crisis, when the fabric of society seemed to shudder in a way it very seldom does, many people’s response was to dig out their bicycles and do a spot of panic-buying. Mine was to sit down and watch the Survivors episode Something of Value, which seemed thematically appropriate. I wonder who feels more foolish now.)
Well, this was a solidly put-together show, with a range of talking-head boffins popping up to give their opinion of exactly how we’re all going to die (possibly). I particularly enjoyed Dr Joseph Tainter and his sonorous delivery. Possibly because this was made for a credulous/American/Channel 5 audience, of course, it was felt necessary to illustrate whatever they were saying with the insertion of dramatised scenes from the life of Mr and Mrs Average of Los Angeles and their desperate attempts to flee the dead city and make a new life for themselves. Either the drama or the documentary would have worked fine on their own, to be honest – both together (particularly with the amount of recapping around the ad breaks) just made me feel rather patronised.
It served Mr and Mrs Average right for living in LA, if you ask me. To be honest, they and Average Junior were just a bit too naive and bland to really engage my sympathy, particularly when they started doing very silly things like heading into the Mojave Desert with no real destination in mind. The drama-plotline had to engage in some rather unconvincing jinks and swerves just to keep them from getting themselves killed some time before the conclusion of the show.
The thing about this programme, which seems to me to be the case with a lot of bad post-apocalyptic narratives, was that the main characters seemed to be miraculously untouched by the general collapse of society and moral standards, looking on in aghast horror as the new realities of existence came into hard focus. The gangs of raiders and ad hoc militias they fell foul of were treated as one-dimensional, bogeyman figures. These people would have had lives before the disaster too, but despite the fact that they, also, were simply doing their best to survive (and generally rather more successfully than the Averages!) they were basically dismissed by the tellers of the story.
We’re going off on a bit of a tangent here, but I was reminded of one of my favourite pieces of apocalyptic fiction, John Christopher’s The Death of Grass. In this story a virus causes a global famine, eventually leading to national governments ordering the use of nuclear weapons on their own major cities in order to cut down demand on food stocks. But what makes this story really special is the way in which the main character – very much akin to Mr Average at the story’s opening – forces himself to embrace the passing of the old order and its morality. By the end of the book he’s repeatedly committed murder, simply because it’s the only way he can be sure of keeping his family and friends alive, and he remains largely sympathetic throughout. This is a world away from the well-mannered catastrophes we’re normally presented with, especially on screen. A touch of that would have made Life After Armageddon a considerably more engaging and challenging viewing experience.
Then again, it was American TV, part-financed by Channel 5. I suspect challenging the audience did not appear on the list of programme goals. In the end this was a nicely-made riff on material that’s becoming slightly well worn – sometimes I think the only thing that’ll stop the flow of documentaries about armageddon is the onset of their subject matter. In which case, by all means keep ’em coming.