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Posts Tagged ‘Agyness Deyn’

As chance would have it, just the other day I passed several fairly agreeable hours watching Euston Films’ 1979 pre-apocalyptic drama Quatermass, even as the telly was full of pre-launch publicity for Euston Films’ 2018 pre-apocalyptic drama Hard Sun, currently showing on BBC One. The media has also been marking the fact that it’s forty years since the TV debut of Blake’s 7, with some unusually complimentary retrospectives concentrating on the programme’s dystopian sensibility and paranoia rather the overacting and spaceships made out of hair-dryers.

I mention the last because Hard Sun is, by some metrics, an SF show for adults, a genre which the BBC has been reluctant to take a chance on since the failure of Outcasts in 2011. (Yes, yes: I know there is what remains of the world’s greatest fantasy series, which I no longer talk about, but here we speak of actual proper science fiction.) BBC disquiet about doing an SF series appears to have been assuaged by the fact that this is only really nominally science fiction, squatting on the border with the police procedural/conspiracy thriller genre. (The show is the brainchild of Neil Cross, who created cop show Luther and also wrote a couple of middling episodes of that fantasy series.)

The first episode establishes the tone for much of what follows, as we meet DCI Cockney Geezer (Jim Sturgess), who seems like a devoted family man despite the fact he’s quietly knocking off his dead best mate’s wife. The circumstances in which the dead best mate passed on are sufficiently suspicious for Geezer’s boss, DCS Annoying Pen-pusher, to believe Geezer may have done him in, and to this end DI Cynical Gamine (Agyness Deyn) has been planted on Geezer’s team to secretly investigate him. (I like shows which have a bit of Agy, but I’ve never seen one with as much Agyness as this one.) Gamine is doing this so her unhinged son, whom she appears to have given birth to when she was about seven, does not go to prison for attempting to murder her. One thing you can say about Hard Sun: it’s never knowingly under-plotted.

Well, in their first day on the job together Geezer and Gamine find themselves working on the case of a conspiracy-theory obsessed hacker with ASD (oh, sigh) who has turned up dead. One of his mates has got his hands on the dead guy’s USB stick, which is disguised as a Saturn V rocket but may as well just be a box with PLOT DEVICE scrawled on it. Our heroes recover the USB but find themselves pursued by the security services, intent on killing everyone who comes into contact with the information on the stick. But why?

Needless to say, Geezer and Gamine can’t resist taking a peek, hoping this will give them leverage to get the homicidal spooks to back off. It turns out that – well, here’s the thing: we never get to see what’s on the stick beyond a few blipverts of graphs and suchlike, but everyone who does look at it properly confirms that it concerns the government’s advance planning for the end of the world (codenamed Hard Sun), which is due in five years time.

Cheer up, it might never happen. Oh, hang on a minute…

 

I have to admit to being somewhat bemused by this, because the government appear to have managed to plan their response to the end of the world without ever letting on exactly what’s going to happen. Even after they’ve looked at the stick, Geezer and Gamine are left speculating as to just what is heading their way – is a comet going to hit Earth? Is it some kind of environmental catastrophe? They seem to be in the dark. Presumably this is just to maintain a sense of foreboding mystery; it also gives them a ready-made opportunity for a big reveal come the last episode of the series.

Well, the first episode reached fairly deep into the bag of Modern Cop Show cliches, but I do like a bit of apocalyptica, and I was curious to see just how the rest of the series would play out (episode one concludes with Gamine taking a redacted set of the information to the media), and just how strong the SF element would be in the mix.

Courtesy of iPlayer’s box set function and the fact I had a day with not much going on (not to mention the fact that Hard Sun is the kind of show you can put on in the background while doing something else and honestly not miss much), I ended up having watched the rest of the first series within the next day. And the answer to the ‘how SF is it?’ question is: really not very much.

Hard Sun boils down to being another of those bleak and bloody cop shows, with the difference being that this time it’s understandable why the leads are so glum all the time: the world’s apparently going to end, after all. The thing is, though, that the impending apocalypse is primarily just a mood-setting thing – the various killers that Geezer and Gamine find themselves contending with are all nutters who’ve been drawn out of the woodwork by the release of the Hard Sun info, but it’s established at the top of episode two that nearly everyone has been convinced this was a hoax. Life goes on as normal for nearly everyone; you could rewrite the middle episodes of this series to extract the impending doom/science fiction element very easily. It’s mainly just there to provide an atmosphere of existential misery – Hard Sun‘s signature bit is a scene where Gamine and Geezer sit down together in the middle of a caseĀ and wail ‘But what does any of it matter anyway? We’ve only got five years left!’, which happens in nearly every episode.

Subsequent episodes are mostly competent but fairly undistinguished takes on the kind of story you’ve seen before – a barking ex-husband takes his children hostage, a man outraged by the cruelty of the world starts killing nice people and challenges God to intervene and stop him, a serial killer preys on suicidal people, and so on. There are lots of people in hoodies stalking darkened streets, and so much knife-related violence that it’s easy to imagine the BBC being forced to pull Hard Sun on taste and decency grounds, given the current plague of knife crime in London.

What’s really absent is any kind of moral centre, for as the series proceeds Geezer and Gamine reveal that they are prepared to do just about anything to further their cause, which only occasionally involves catching criminals. When they’re not actively beating each other up with their collapsible truncheons, the doom-conscious duo are forever disregarding standard procedure, obstructing or perverting the course of justice, or plotting the cold-blooded murder of a government employee. This sort of thing reaches its most uproarious extreme in a scene in which Geezer seems to be actively considering waterboarding a priest (one story revolves around that old chestnut of a priest not being able to reveal the identity of a killer due to the seal of the confessional being sacrosanct).

I say ‘uproarious’ because so much of Hard Sun really beggars credibility – there’s the peculiarly vague contents of the USB stick, along with the behaviour of the leads and their byzantine back-stories. Coupled to the fact that the show clearly takes itself very seriously indeed, the result is a programme which is just an unintentional black comedy more than anything else.

I suppose I could imagine the BBC making a show like Hard Sun and it being more, um, good, about twenty years ago, when even the best of us were not immune to the odd pre-millenial jitter. Nowadays, though? Not so much. One plot thread which feels like a particular misstep concerns the ominous dark apparatus of the Security Services, who pursue Geezer and Gamine throughout the series in order to get the USB stick back (despite the fact that everyone is supposedly convinced the apocalyptic data is fake). Playing their nemesis is Nikki Amuka-Bird, who played the curiously inept government minister in New Survivors and plays a somewhat more competent spook here. That’s the thing, I would say: these days we’re not worried that our governments are up to brilliantly-conceived and ultra-secret machinations behind our backs. In the time of Donald Trump and Theresa May, our main concern is that our governments really are as hapless, clueless, and incompetent as they routinely seem to be.

It would be great if the BBC actually had the nerve to make a proper SF TV series, rather than just smuggling a few SF elements into what’s essentially a very dark, very silly cop show. But there you go: such is the world we live in today. Every episode of Hard Sun concludes with a countdown timer, ticking down the days before armageddon’s arrival, and one can only conclude that the BBC and their co-producers Hulu have half an eye on this actually running for five years. Well, I’ll be surprised – but if it even makes it to a second season, the manner in which this one concludes suggests that in any subsequent outings this show will become a rather different beast. That can only be a good thing, because at present there’s at least as much daftness as darkness in Hard Sun.

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